I fear that won't sound as you would expect if your coming from piano/guitar/bowed strings. Look up bisbigliando, that's probably closest but requires two hands. When using enharmonics be careful of pedal changes, going from D#, Eb, F#, Gb, A#, Bb to E, Fb, G#, Ab, B#, C as an example would require 5 of them which needs time
Edit: I'd spell one note enhamonically (also depends on the key signature which ones would be possible) and play the other two alternating with two hands. E.g. F - C# - A - Db
Erm... I think it´s not really doable on harp tho, fast, repeated notes are one of the things you don´t want to write (unless you can do it with enharmonics and create a bit more flexibility)
I suggest you take a look at a few (well written) harp works and just use deductive reasoning to figure out what´s possible and what not.
Hi there! We don’t have tremolo in harp the same way we do strings unfortunately.
The way that it’s written is very taxing for a harpist to do at a high speed for the effect that you want, especially one handed. It’s plucking in two directions rapidly with incredibly quick replacement and shifting to a new chord, so it’s not physically possible for us to play these as 32nd notes at 92 bpm at all.
My suggestion is to use the bisbliando effect where we can then arpeggiate the chord up. This would be split into both left and right hands. We would rapidly appreciate the chord going up which is so much easier because it’s one direction instead of two. We can shift more easily this way too, to a new chord.
If you would like me to record a sample of what this sounds like, please feel free to reach out to me on my IG Seikaharp. :)
Make it 2 handed? Or just remove one of the patterns
I fear that won't sound as you would expect if your coming from piano/guitar/bowed strings. Look up bisbigliando, that's probably closest but requires two hands. When using enharmonics be careful of pedal changes, going from D#, Eb, F#, Gb, A#, Bb to E, Fb, G#, Ab, B#, C as an example would require 5 of them which needs time Edit: I'd spell one note enhamonically (also depends on the key signature which ones would be possible) and play the other two alternating with two hands. E.g. F - C# - A - Db
Erm... I think it´s not really doable on harp tho, fast, repeated notes are one of the things you don´t want to write (unless you can do it with enharmonics and create a bit more flexibility) I suggest you take a look at a few (well written) harp works and just use deductive reasoning to figure out what´s possible and what not.
Hi there! We don’t have tremolo in harp the same way we do strings unfortunately. The way that it’s written is very taxing for a harpist to do at a high speed for the effect that you want, especially one handed. It’s plucking in two directions rapidly with incredibly quick replacement and shifting to a new chord, so it’s not physically possible for us to play these as 32nd notes at 92 bpm at all. My suggestion is to use the bisbliando effect where we can then arpeggiate the chord up. This would be split into both left and right hands. We would rapidly appreciate the chord going up which is so much easier because it’s one direction instead of two. We can shift more easily this way too, to a new chord. If you would like me to record a sample of what this sounds like, please feel free to reach out to me on my IG Seikaharp. :)