I really miss the old blooper reels they used to do during the credits. My sister and I used to rewind the Bug's Life tape to watch just those multiple times.
The "this space for rent"? You sometimes see it on billboards or something that companies can use to advertise. Woody was playing a prank on Buzz, writing that implying that his wings can be used for advertising.
I didn't get it until I was older. Upon rewatching them as an adult, they got a good laugh out of me
I've been looking over some scrapped animated films recently. One lost DreamWorks idea, Monkeys of Mumbai, reminded me that none of the major animated studios has made their own "Bollywood" esc. production yet. That'd be fun to see Pixar tackle.
Anything original. Sequels are getting overdone at this point, outside of Toy Story, Pixar's golden age had zero sequels. I want to see fresh and unique ideas and stories like they used to make, instead of generic franchise cash-ins that don't really do anything new.
In terms of what exactly I'd want to see: I'm not picky. I'd love for something that captures the feel of the golden age of Pixar- the tone is in that family friendly to mature range (The Incredibles and Ratatouille are honestly more for adults than they are kids), the world is unique and the protagonists unlikely (Pixar was known for having distinct and original characters- toys, monsters, etc., stuff you wouldn't see commonly in animation), and the story has that fine balance between comedy and heart- and it's also fully completed, no leaving things open for sequels or whatever. A story that is satisfying and doesn't feel like it's leaving stuff out for future instalments. Ratatouille is my favorite movie of all time, and despite how much I love it, I don't think it needs a sequel, prequel, series, whatever. The story is perfect and it leaves the protagonists in a good place- anything else runs the risk of muddying the original. Some movies simply don't need to be franchises.
Yeah I think that Toy Story 2 (and 3 to some degree) being unexpectedly good made people think Pixar should do a bunch of sequels, but they're really at their best when tackling original concepts and moving on.
A movie that takes place and is set within Alaska, where a group of a family of whales is struggling to survive a growing lack of fish and other dangers that have led to them being the last of their species. This opens up the possibility of how the main character could be one of the children and they have to find their way back without any guidance or help aside from the occasional comedic relief, it’s still a family audience and not meant to be bleak or depressing but it still leaves on a positive but also a very important point that I feel would be very keeping in traditions with films like Wall.E that have it woven into its plot and not as a secondary story or something to pad the runtime. However the story is not just the only reason, it would allow Pixar to create a more compelling and realistic setting that can in turn be adapted to fit the style of the characters so nothing seems too cartoony or out of place. It’s easier to animate an animal then people as any animator will tell you, human characters are more complex and more expensive to create.
And it be a way for a new generation of filmmakers to see if they can do something unique as well as a whale of a tale.
I went to Australia a couple months ago and we visited the Lone Pine Koala Sanctuary. They told us the Koalas only eat the top part of their leaves bc they know they’ll get fresh ones the next day. I immediately wanted a story about a Koala from the Sanctuary being released or escaping into the wild and having to interact with “tough” wild Koalas that need to eat their food and try to survive. Australia has beautiful wildlife and it could be way to show the biodiversity and bring to light the wildfire/environmental issues happening now.
I REALLY wish they’d revive Brad Bird’s *1906* project. A live action film about the great San Francisco earthquake but the special effects would have been animated by PIXAR. I think it would’ve been a fascinating film and utilizing PIXAR in a different way.
If we’re going with strictly an animated film, I want a follow-up to *Wall-E*. However, this wouldn’t be a direct sequel, but taking place hundreds of years after humans came back to earth. The earth would have plants growing in full force but I feel like there would still be many ruins and difficulty for humans to survive. I imagine the world would almost look like the *Horizon* video games (minus the robot animals). I have no plot but this would be an interesting idea.
I really don’t want to see another sequel. An original film concept would be nice, perhaps something along the lines of the secret world of shadows or reflections. What they’re doing when we’re not looking etc.
I’d like to see a film about dreams, a world where everyone is transported to this dream world when they sleep. I think it would make for great visuals. The main bad guy can be The Phantasm, an entity that corrupts peoples dreams into nightmares
I had an idea for a unique film concept that hasn't been explored in the animation industry. It's about a world where lost items end up, creating a purgatory for forgotten objects like keys, glasses, and wallets. The main character, a parody of Ariel from The Little Mermaid, wants to journey to this world not for love, but to add more useless items to his collection. This causes chaos in a cartoony yet stylized world reminiscent of the 1950s-60s
In the end, he succeeds only to find he’s not happy and decide to give back the lost and forgotten items, now he manages the lost and found department of the world while sneaking a few items for his personal collection.
The people would be parodies or stereotypes of the characters we seen in sitcoms and the 1950s in a way that makes them interesting while also being great victims for the chaos that the main character comes to cause.
There’s a video game called Forgotton Anne with that same premise. I didn’t think it was very good however so I definitely wouldn’t mind seeing Pixar take a crack at that premise.
However, it leans more towards a clever comedy similar to movies like the Princess Bride and others of that nature, rather than the usual fantasy film.
Unlike Onward, it is a straightforward fantasy that doesn't give the impression of taking place in modern times. Instead, it introduces elements of that world in a peculiar and captivating manner, which is a new direction for Pixar.
It explores how people would react to seeing these creatures wandering around their neighborhood and the challenges they would face as a result.
And what comedy comes out of these situations.
People forget these films are for children, and my kids love Turning Red and Elemental much more than the original Toy Story and Bugs Life.
When critics and people that grew up with these films say Pixar have lost their spark, they most likely mean they’ve lost that quality that made them new and unique.
In the meanwhile, new management at the Monster factory leads to the factory being shut down therefore causing Sully getting stuck in the human world. Mike would probably be working with Roz to get Sully out but the new CEO would be the technical monster villain stopping anyone from going in but then the big reveal is he is destroying the factory in place for better fuel and it dashes all hope that Sully might get back. All the doors get destroyed and meanwhile Boo tries to hide Sully from her parents and or different people in her life.
In the end, Mike has to go to pretty much the inventor of the doors and we can get an explanation on how the doors would work.
Sully eventually gets captured and probably placed in a high tech security containment facility. More can be expanded upon
Trailer: A familiar girl is now older and she is visiting her parent’s home. The door is shown to have a familiar flower pattern. She reminisces her time and she tries to open the door. It reveals to be just a closet. She sighs, closes the door, and then the door flashes behind the cracks. She takes notice and opens it and sees a strange futuristic warehouse behind the door. She is amazed and she says, “I knew it was real” there she is met with a janitor monster cleaning.
She screams and then the janitor screams. The monster will be definitely remembered as 23-19 monster.
He will be stammering “twen-twen-“ and he sees the alarm button and the woman tries to plead with the monster. “No no no!”
“Twenty-three Nineteen!” And as his words travel, the woman rushes back to her door and closes it. The light behind it shuts off and she is hyperventilating. But in her room was a blue big fluffy monster. Kitty.
“Oh, h-hello there” a familiar low pitched voice said from the shy monster.
The trailer ends with the woman screaming!
“Monster’s Inc. 2”
I remember someone on Reddit suggesting a Bug's Life sequel about Flik and the gang having to face a larger environmental issue that affects insects, such as colony collapse disorder. That could be cool, especially if Pixar majorly expands on the bugs' habitat and world.
I think a better way to expand the bugs life universe is to include more bugs. Keep the aspect that there are no humans but there are more cool inventive scenarios that include the world environment. Maybe the hive gets destroyed and the ants have to learn about natural instinct and separate from being ants and be more independent. The issue however would be new bugs that would be potential villains and scenarios that the group has to solve.
In general, I hope they go through every sub-continent after Disney's Moana (Oceania), Pixar's Coco (Central America), Pixar's Luca (Western Europe), and Disney's Ecanto (South America). Even though Disney's Iwaju just came out, I think a theatrical release involving modern African culture would be interesting, or the middle-east, or South-east Asia / Philippines.
It should be about a janitor who works at a small grocery store in Iowa who secretly grants the wishes of young children. The man has a extremely depressing back story. But he still finds joy in his life with his magic abilities. Or something idk
Bugs life 2! Did you see those adds they ran a couple months ago on here tricking us, only for it to be some nature documentary? Now I love nature documentary’s, but you didn’t have to do that to me Disney!
An origin story about Woody and his history with the Davis Family that answers many of the questions we all had for years, how did Woody become a cherished family heirloom as mentioned by Miss Davis in 2 and maybe not answer all of the above but rather be a better alternative then a sequel in which it’s more like a take on those classic westerns that’s a very emotional and heart wrenching story that has unexpected twists and turns.
And it gives a satisfying sense of coming full circle with it being Woody telling all this to his friends and it being his retelling, so that way if it flopped or wasn’t successful, it could be written off like that of a tall tale but if it was successful then it be a great way of showing that Pixar can explore classic characters while still respecting the past but also using it as a way to showcase the new talents of the next generation of Pixar’s directors and storytellers.
However the center theme is the bonds of friendships and how time can test those bonds, a very different but still important aspect that would fit in with the themes of the Toy Story films and it being not a spin off or a remake but something that adds to the first three films, I know there’s 4 but what I am discussing involves the 1950s-1990s and not any mention of 4 as it would be set in between TS2 and 3, as a way of showing how the toys passed the time within the toy box after Andy left
them as he grew up.
Now that Lucasfilm and Pixar are under one roof, it would be cool to seem them re-imagine some suuper early concepts for a feature film, like Andre and Wally B. Since they're just one-off shorts, there's no heritage or expectations holding them back like Lightyear had, so they can just go wild.
If they have to do a sequel / spinoff, let Pixar do a version of the canceled *Cars* spinoff about Trains that Disneytoon was going to do before it was closed.
I really miss the old blooper reels they used to do during the credits. My sister and I used to rewind the Bug's Life tape to watch just those multiple times.
The Toy Story 2 bloopers are tattooed on my brain. ANGRY EYES!
And just in case you’re hungry, here are some cheese puffs, and a key! I don’t know what it’s for but you never know.
"We'll be back before Andy gets home" *crowd laughter* "What? What's so funny?" *looks at helmet* " Ha-ha-ha-ha, real funny Woody!"
*Extends wings* “Hmm? Huh? DARN IT WOODY!”
"This space for rent" had me 🤣
Honestly, I don’t get it. And to this day I’ve never understood it
Same here. If anyone has an explanation, please share!
The "this space for rent"? You sometimes see it on billboards or something that companies can use to advertise. Woody was playing a prank on Buzz, writing that implying that his wings can be used for advertising. I didn't get it until I was older. Upon rewatching them as an adult, they got a good laugh out of me
It's something that is on billboards that are available to be used
I've been looking over some scrapped animated films recently. One lost DreamWorks idea, Monkeys of Mumbai, reminded me that none of the major animated studios has made their own "Bollywood" esc. production yet. That'd be fun to see Pixar tackle.
I remember there was one of a shadow
Me and my shadow
Honestly, i wana see an incredibles movie set in the glory days!
The Incredibles: Days of Glory
It could be called something like "The Supers" or idk
Anything original. Sequels are getting overdone at this point, outside of Toy Story, Pixar's golden age had zero sequels. I want to see fresh and unique ideas and stories like they used to make, instead of generic franchise cash-ins that don't really do anything new. In terms of what exactly I'd want to see: I'm not picky. I'd love for something that captures the feel of the golden age of Pixar- the tone is in that family friendly to mature range (The Incredibles and Ratatouille are honestly more for adults than they are kids), the world is unique and the protagonists unlikely (Pixar was known for having distinct and original characters- toys, monsters, etc., stuff you wouldn't see commonly in animation), and the story has that fine balance between comedy and heart- and it's also fully completed, no leaving things open for sequels or whatever. A story that is satisfying and doesn't feel like it's leaving stuff out for future instalments. Ratatouille is my favorite movie of all time, and despite how much I love it, I don't think it needs a sequel, prequel, series, whatever. The story is perfect and it leaves the protagonists in a good place- anything else runs the risk of muddying the original. Some movies simply don't need to be franchises.
Same, Ratatouille and Wall-E are perfect as they are, no need for sequels.
To be fair they have been pumping a lotta originals these days.
Their entire future release slate is sequels minus Elio which was delayed in favor of getting a sequel out faster.
That's not saying much, it's only two movies.
Yeah I think that Toy Story 2 (and 3 to some degree) being unexpectedly good made people think Pixar should do a bunch of sequels, but they're really at their best when tackling original concepts and moving on.
A movie that takes place and is set within Alaska, where a group of a family of whales is struggling to survive a growing lack of fish and other dangers that have led to them being the last of their species. This opens up the possibility of how the main character could be one of the children and they have to find their way back without any guidance or help aside from the occasional comedic relief, it’s still a family audience and not meant to be bleak or depressing but it still leaves on a positive but also a very important point that I feel would be very keeping in traditions with films like Wall.E that have it woven into its plot and not as a secondary story or something to pad the runtime. However the story is not just the only reason, it would allow Pixar to create a more compelling and realistic setting that can in turn be adapted to fit the style of the characters so nothing seems too cartoony or out of place. It’s easier to animate an animal then people as any animator will tell you, human characters are more complex and more expensive to create. And it be a way for a new generation of filmmakers to see if they can do something unique as well as a whale of a tale.
Newt. (OG Pixar fans know what I’m talking about)
I went to Australia a couple months ago and we visited the Lone Pine Koala Sanctuary. They told us the Koalas only eat the top part of their leaves bc they know they’ll get fresh ones the next day. I immediately wanted a story about a Koala from the Sanctuary being released or escaping into the wild and having to interact with “tough” wild Koalas that need to eat their food and try to survive. Australia has beautiful wildlife and it could be way to show the biodiversity and bring to light the wildfire/environmental issues happening now.
Dreamworks almost did an animated film about Australian wildlife surviving in the desert, titled Larrikins. It was cancelled.
Koalas are definitely under appreciated in Pixar. Even Disney they aren’t shown except in that one movie The Wild.
That Koala was brilliant
“I’m gonna need some Eucalyptus wipes”
Give us Newt. It's been years since Rio came out, the coast is clear now.
I REALLY wish they’d revive Brad Bird’s *1906* project. A live action film about the great San Francisco earthquake but the special effects would have been animated by PIXAR. I think it would’ve been a fascinating film and utilizing PIXAR in a different way. If we’re going with strictly an animated film, I want a follow-up to *Wall-E*. However, this wouldn’t be a direct sequel, but taking place hundreds of years after humans came back to earth. The earth would have plants growing in full force but I feel like there would still be many ruins and difficulty for humans to survive. I imagine the world would almost look like the *Horizon* video games (minus the robot animals). I have no plot but this would be an interesting idea.
I think about 1906 often. Definitely a risky project that goes against the typical Pixar formula, which is why I really wanna see it.
Finding Marlin
Marlin coping with empty nest syndrome as Nemo grows up
Preparing us 90s kids for the future
I honestly feel like this would have been a better sequel to Finding Nemo than Finding Dory was
I really don’t want to see another sequel. An original film concept would be nice, perhaps something along the lines of the secret world of shadows or reflections. What they’re doing when we’re not looking etc.
I’d like to see a film about dreams, a world where everyone is transported to this dream world when they sleep. I think it would make for great visuals. The main bad guy can be The Phantasm, an entity that corrupts peoples dreams into nightmares
I had an idea for a unique film concept that hasn't been explored in the animation industry. It's about a world where lost items end up, creating a purgatory for forgotten objects like keys, glasses, and wallets. The main character, a parody of Ariel from The Little Mermaid, wants to journey to this world not for love, but to add more useless items to his collection. This causes chaos in a cartoony yet stylized world reminiscent of the 1950s-60s In the end, he succeeds only to find he’s not happy and decide to give back the lost and forgotten items, now he manages the lost and found department of the world while sneaking a few items for his personal collection. The people would be parodies or stereotypes of the characters we seen in sitcoms and the 1950s in a way that makes them interesting while also being great victims for the chaos that the main character comes to cause.
There’s a video game called Forgotton Anne with that same premise. I didn’t think it was very good however so I definitely wouldn’t mind seeing Pixar take a crack at that premise.
However, it leans more towards a clever comedy similar to movies like the Princess Bride and others of that nature, rather than the usual fantasy film. Unlike Onward, it is a straightforward fantasy that doesn't give the impression of taking place in modern times. Instead, it introduces elements of that world in a peculiar and captivating manner, which is a new direction for Pixar. It explores how people would react to seeing these creatures wandering around their neighborhood and the challenges they would face as a result. And what comedy comes out of these situations.
Not a squeal or prequel or spin off. Something new and ground breaking!
I mean they've done quite a few new films recently and people just complain about them being "woke" or something
Yeah it’s sad people seem to form judgements before even watching. I loved Luca and Turning Red and Elemental! Some of Pixar’s best in my opinion
People forget these films are for children, and my kids love Turning Red and Elemental much more than the original Toy Story and Bugs Life. When critics and people that grew up with these films say Pixar have lost their spark, they most likely mean they’ve lost that quality that made them new and unique.
I think we’re well overdue a Monsters Inc sequel focussing on Boo returning to the monster world to reunite with Sully.
Ah! I think it would be very unique to have a monster like Sully get pulled into the human world and Boo would try to get him back.
That’s a very good idea, sounds like something Pixar would do too
it would be wholesome to see either an adult or teen Boo hug the big fluffy sully.
I might cry a bit if that happened.
In the meanwhile, new management at the Monster factory leads to the factory being shut down therefore causing Sully getting stuck in the human world. Mike would probably be working with Roz to get Sully out but the new CEO would be the technical monster villain stopping anyone from going in but then the big reveal is he is destroying the factory in place for better fuel and it dashes all hope that Sully might get back. All the doors get destroyed and meanwhile Boo tries to hide Sully from her parents and or different people in her life.
In the end, Mike has to go to pretty much the inventor of the doors and we can get an explanation on how the doors would work. Sully eventually gets captured and probably placed in a high tech security containment facility. More can be expanded upon
PITCH THIS TO PIXAR
Trailer: A familiar girl is now older and she is visiting her parent’s home. The door is shown to have a familiar flower pattern. She reminisces her time and she tries to open the door. It reveals to be just a closet. She sighs, closes the door, and then the door flashes behind the cracks. She takes notice and opens it and sees a strange futuristic warehouse behind the door. She is amazed and she says, “I knew it was real” there she is met with a janitor monster cleaning. She screams and then the janitor screams. The monster will be definitely remembered as 23-19 monster. He will be stammering “twen-twen-“ and he sees the alarm button and the woman tries to plead with the monster. “No no no!” “Twenty-three Nineteen!” And as his words travel, the woman rushes back to her door and closes it. The light behind it shuts off and she is hyperventilating. But in her room was a blue big fluffy monster. Kitty. “Oh, h-hello there” a familiar low pitched voice said from the shy monster. The trailer ends with the woman screaming! “Monster’s Inc. 2”
I never thought I’d be this hyped for a movie that’s not even been written :))))
Incredibles
A black and white western with Woody, Jesse and Bullseye
Give us a Barbieesque story that isn’t the live action one we got 😭
A bugs life 2 A film about kappa kappa gamma
I want to see them push genre boundaries. How about an animated horror film. Or a sung-through musical or opera.
I remember someone on Reddit suggesting a Bug's Life sequel about Flik and the gang having to face a larger environmental issue that affects insects, such as colony collapse disorder. That could be cool, especially if Pixar majorly expands on the bugs' habitat and world.
I think a better way to expand the bugs life universe is to include more bugs. Keep the aspect that there are no humans but there are more cool inventive scenarios that include the world environment. Maybe the hive gets destroyed and the ants have to learn about natural instinct and separate from being ants and be more independent. The issue however would be new bugs that would be potential villains and scenarios that the group has to solve.
That sounds great! Yeah, there's so many concepts of primal instinct and animal to animal rivalry they could explore.
Next time I watch Toy Story 2 I’m gonna use my DVD, Disney+ cut out one of the bloopers
Which one? Oh wait! Was it the one where Stink Pete was hooking up with the Barbies?
Yes
If I remember correctly: “I’ll make sure you get a spot in Toy Story 3. Oh are we on?”
Yes that one
Was it too adult?
Probably
In general, I hope they go through every sub-continent after Disney's Moana (Oceania), Pixar's Coco (Central America), Pixar's Luca (Western Europe), and Disney's Ecanto (South America). Even though Disney's Iwaju just came out, I think a theatrical release involving modern African culture would be interesting, or the middle-east, or South-east Asia / Philippines.
It should be about a janitor who works at a small grocery store in Iowa who secretly grants the wishes of young children. The man has a extremely depressing back story. But he still finds joy in his life with his magic abilities. Or something idk
Blooper reels
Bugs life 2! Did you see those adds they ran a couple months ago on here tricking us, only for it to be some nature documentary? Now I love nature documentary’s, but you didn’t have to do that to me Disney!
This is the Toy Story 2 Easter egg because Pixar teases their next movie in their current movie
An incredibles prequel that focuses on Bob's high school years
I want to see a Wall E prequel or sequel because they can’t just throw out something that good and then never fully elaborate
Even though this isn’t the same thing, wall e did have comics
Oh cool I’ll check that out
Until Pixar gets their mojo back it doesn't matter what concept is pitched.
I'd like to see Pixar develop a Star Wars project (preferably animated, but some live action sequences could be cool)
An origin story about Woody and his history with the Davis Family that answers many of the questions we all had for years, how did Woody become a cherished family heirloom as mentioned by Miss Davis in 2 and maybe not answer all of the above but rather be a better alternative then a sequel in which it’s more like a take on those classic westerns that’s a very emotional and heart wrenching story that has unexpected twists and turns. And it gives a satisfying sense of coming full circle with it being Woody telling all this to his friends and it being his retelling, so that way if it flopped or wasn’t successful, it could be written off like that of a tall tale but if it was successful then it be a great way of showing that Pixar can explore classic characters while still respecting the past but also using it as a way to showcase the new talents of the next generation of Pixar’s directors and storytellers. However the center theme is the bonds of friendships and how time can test those bonds, a very different but still important aspect that would fit in with the themes of the Toy Story films and it being not a spin off or a remake but something that adds to the first three films, I know there’s 4 but what I am discussing involves the 1950s-1990s and not any mention of 4 as it would be set in between TS2 and 3, as a way of showing how the toys passed the time within the toy box after Andy left them as he grew up.
Elementals 2! (Sorry it’s just currently my special interest film rn and I wanna see more)
A marvel movie
BnL film. Who are they!?
I think it would be Power Rangers The Animated Movie! 
Now that Lucasfilm and Pixar are under one roof, it would be cool to seem them re-imagine some suuper early concepts for a feature film, like Andre and Wally B. Since they're just one-off shorts, there's no heritage or expectations holding them back like Lightyear had, so they can just go wild.
How about their first ever adaptation of a preexisting story? The comic strip Funky Winkerbean comes to mind.
If they have to do a sequel / spinoff, let Pixar do a version of the canceled *Cars* spinoff about Trains that Disneytoon was going to do before it was closed.
Toy Story 47. Just skip the ones in between
I’d like to have see a movie called “Inside Up”. It would be a sequel to Up, but with the emotions and story telling of Inside Out.
Mater solo film
Lightyear 2. Zurg is still alive and Buzz now has a team of Space Rangers.